From the architect:
Located in Rye on the Mornington Peninsula, Dark Light House is a modest addition to a family home designed and built in the late sixties. Originally built as a holiday home, the owners required additional living space but not at the expense of the detail and character of the original. Our design connects the addition to the corner of the original and creates a play between light and dark, east and west, new and old. Through a minor renovation of the existing building and a small addition, the entire house is reimagined.
The original holiday home, designed by Peter Fawns in 1966, possesses the traits of well-planned and efficient homes that were typical of the Small Homes Service. The house was remarkably intact and little had changed over time with the exception of a bathroom upgrade. The clients’ favourite feature was the hardwood timber ceiling that had developed a rich patina over the past 50 years.
As a full-time family home, the house lacked the separation of living types that enables simultaneous activities to occur and the original (but modified) kitchen was also not living up to daily family life. Our brief was to provide a second living space and a new kitchen; the budget was limited and managed carefully – not changing from the outset of the project to completion. The most important component of the brief however was that the original house should be altered as little as possible. The assumption was the kitchen would be upgraded in its existing location with living space added to the east.
Our proposal was to locate a new pavilion that allowed for a place to eat, live and cook in while at the same time becoming the new front entry and access point to the backyard. Tentatively connected to the north-eastern corner of the original, the addition pushes into the garden, allowing the living room to frame a Moonah Tree that was particularly loved by the clients. The new pavilion duplicates the living area size of the original, providing dining and living spaces in both the original and new areas of the home.
The addition was designed to complement the original, and refer to it but not to imitate. The intention was to provide contrast but in a way that was not simply doing the opposite. Design influences and construction techniques used in the original design were considered, particularly the influence of Japanese architecture, the glazed walls that are part window frame part structural studs and low-pitched roofs with generous eaves.